15
Apr 13

Knights of the Golden Circle Traces Expansion of Nineteenth-Century Secret Southern Society

Based on years of exhaustive and meticulous research, David C. Keehn’s study provides the first comprehensive analysis of the Knights of the Golden Circle, a secret southern society that initially sought to establish a slave-holding empire in the “Golden Circle” region of Mexico, the Caribbean, and Central America. Keehn reveals the origins, rituals, structure, and complex history of this mysterious group, including its later involvement in the secession movement. Members supported southern governors in precipitating disunion, filled the ranks of the nascent Confederate Army, and organized rearguard actions during the Civil War.

The Knights of the Golden Circle emerged in 1858 when a secret society formed by a Cincinnati businessman merged with the pro-expansionist Order of the Lone Star, which already had 15,000 members. In 1860, during their first attempt to create the Golden Circle, several thousand Knights assembled in southern Texas to “colonize” northern Mexico. Due to insufficient resources and organizational shortfalls, however, that filibuster failed. Later, the Knights shifted their focus and began pushing for disunion, spearheading prosecession rallies, and intimidating Unionists in the South.

According to Keehn, the Knights likely carried out a variety of other clandestine actions before the Civil War, including attempts by insurgents to take over federal forts in Virginia and North Carolina, and a planned assassination of Abraham Lincoln as he passed through Baltimore in early 1861 on the way to his inauguration. Once the fighting began, the Knights helped build the emerging Confederate Army and assisted with the pro-Confederate Copperhead movement in northern states. With the war all but lost, various Knights supported one of their members, John Wilkes Booth, in his plot to assassinate President Lincoln.

Keehn’s fast-paced, engaging narrative demonstrates that the Knights’ influence proved more substantial than historians have traditionally assumed and provides a new perspective on southern secession and the outbreak of the Civil War.

David C. Keehn is an attorney from Allentown, Pennsylvania, with a history degree from Gettysburg College and a juris doctorate from the University of Pennsylvania.

April 15, 2013
328 pages, 6 x 9, 41 halftones
ISBN 978-0-8071-5004-7
Cloth $39.95


15
Apr 13

Milliken’s Bend Details Long-Forgotten and Controversial Civil War Battle in Louisiana

At Milliken’s Bend, Louisiana, a Union force composed predominantly of former slaves met their Confederate adversaries in one of the bloodiest engagements of the war. This small yet important fight received some initial widespread attention but soon drifted into obscurity. In Milliken’s Bend, Linda Barnickel uncovers the story of this long-forgotten and highly controversial battle. Controversial charges made after the battle eventually led to a congressional investigation and contributed to the suspension of prisoner exchanges between North and South.

Barnickel’s compelling and comprehensive account of the battle illuminates not only the immense complexity of the events that transpired in northeastern Louisiana during the Vicksburg Campaign but also the implications of Milliken’s Bend upon the war as a whole. The battle contributed to southerners’ increasing fears of slave insurrection and heightened their anxieties about emancipation. In the North, it helped foster a commitment to allow free blacks and former slaves to take part in the war to end slavery. And for African Americans, both free and enslaved, Milliken’s Bend symbolized their never-ending struggle for freedom.

Linda Barnickel is an archivist and freelance writer with master’s degrees from the University of Wisconsin–Madison and The Ohio State University. Passionate about discovering the hidden and fascinating stories of history, she is interested in local history, military history, oral history, and the cultural power of archives.

April 15, 2013
320 pages
6 x 9, 15 halftones, 4 maps
978-0-8071-4992-8
Cloth $39.95, ebook available


09
Apr 13

The Dalai Lama’s Secret and Other Reporting Adventures: Stories from a Cold War Correspondent

For over a quarter of a century, award-winning journalist Henry Bradsher reported stories from around the world. In this lively and engaging account, Bradsher recounts episodes from a distinguished career that took him to the Himalayas, the jungles of Bhutan, Kremlin caviar receptions, China’s Forbidden City, and the battlefields of Vietnam. Throughout, Bradsher emphasizes the unpredictability of a correspondent’s life and the strains, perils, and privileges of standing witness to momentous world events.

In South Asia, Bradsher reported the Dalai Lama’s escape from Tibet in 1959 and the last five years that Jawaharlal Nehru led India—with a side trip to hunt tigers in Nepal with Queen Elizabeth. In Moscow he covered the downfall of Nikita Khrushchev, and he later suffered the KGB bombing of his car in response to his tenacious reporting. His incisive coverage from Hong Kong led Chinese officials to label Bradsher as “the most despicable” journalist. But after a power shift, they welcomed him as the first American journalist allowed to work in China in over a year. Bradsher predicted and reported Bangladesh’s independence struggle, and he worked in the Middle East, covering Egyptian-Israeli peace arrangements.

Access to the events that shaped the Cold War also led to Bradsher’s meeting many world leaders, including Nehru, Khrushchev, Leonid Brezhnev, Zhou Enlai, Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, Anwar Sadat, and Menachem Begin. Although Bradsher’s reporting riled officials in Moscow, Beijing, and even the United States—prompting Henry Kissinger’s attempts to thwart the publication of his reports—history has proven its accuracy. Bradsher’s relentlessness in his own work accompanied a profound respect for fellow journalists worldwide who endanger themselves to keep the public informed.

Henry S. Bradsher, a correspondent for the Associated Press and the Washington Star, was a Pulitzer Prize finalist for international reporting in 1972 and won the George Polk Award for Foreign Reporting in 1973. Now retired, he lives in Louisiana.

April 8, 2013
344 pages, 6 x 9, 17 halftones, 6 maps
978-0-8071-5050-4
Cloth $34.95, ebook available


09
Apr 13

Cary Holladay Publishes Sixth Book of Fiction

“A book of short stories is not usually what you would call a page turner, but Cary Holladay’s Horse People may be an exception. You gallop along breathlessly—not because you are aiming for the finish line, but because the writing is so wonderful you keep going, enthralled, never wanting this gorgeous prose to end.” —Bobbie Ann Mason, author of Shiloh and The Girl in the Blue Beret

Set in the pastoral horse country of Rapidan, Virginia, the stories in Cary Holladay’s Horse People chronicle the lives of the Fenton family through the Civil War, the Great Depression, and World War II. At the center of these interconnected stories is Nelle, a northern debutante who marries into the Fenton family and establishes herself as their stern and combative matriarch.

Nelle’s arrival in Virginia sets up the familial conflict: The Fentons, though well-respected millers and horse-breeders, remain yeoman farmers, whereas Nelle grew up in a wealthy, urban environment. Her high-brow sensibility creates animosity within her new family and fosters resentment among the rural poor. Headstrong and contentious, Nelle relies on an almost supernatural connection with horses to escape the hostility that surrounds her. As Nelle ages and experiences the sweeping cultural changes and hardships of early twentieth-century America, she comes to symbolize everything she once challenged in this community. Through these multi-generational stories, Holladay draws on the folklore and history of her native Virginia and examines the cultural, racial, gender, and economic tensions that pervaded the entire nation.

Cary Holladay is the author of two novels and three story collections. Her writing has appeared in New Stories from the South, The Oxford American, The Southern Review, Glimmer Train, and Tin House. She has received fellowships from the Tennessee Arts Commission, the Pennsylvania Council on the Arts, and the NEA. She and her husband, writer John Bensko, teach at the University of Memphis.

February 18, 2013
200 pages, 5.5 x 8.5
ISBN 978-0-8071-5094-8
Paper $23.00


08
Apr 13

Next to Last Words Showcases the Late Work of One of America’s Foremost Men of Letters

Next to Last Words shows Daniel Hoffman to be at the height of his long and distinguished career. He makes us see the world in a new way, compelling for his visual accuracy and consummate technique. . . .”—Grace Schulman

“‘Oh but I was a songster in the days before the flood!’ croaks Daniel Hoffman’s raven, a doughty survivor. Stubborn joy and pulsing, minute attention movingly suffuse these late poems; we can be grateful that Hoffman’s world ‘is filled with importunate distractions.’”—Rachel Hadas

For sixty years Daniel Hoffman (1923-2013) drew on a lifetime of experiences to engage readers with his powerful imagination. The poems in Next to Last Words—illuminated by the poet’s unique vision and leavened by touches of humor—continue this tradition. Equally skilled in formal and free verse, Hoffman explores our place in the cosmos, our kinship with nature, the violent world in which we must live, and the intense love and grief common to everyone’s life.

Former poet laureate, Daniel Hoffman published fourteen books of poetry, including The Whole Nine Yards, Beyond Silence, and Brotherly Love, a finalist for both the National Book Award and the National Book Critics Circle Award. His honors include the Arthur Anse prize for “a distinctive poet” from the American Academy of Arts and Letters and, from the Sewanee Review, the Aiken-Taylor Award for Contemporary American Poetry. He is the author of many critical studies, including Poe Poe Poe Poe Poe Poe Poe, also a National Book Award finalist. He taught at Swarthmore College and at the University of Pennsylvania, where he was the Felix Schelling Professor of English Emeritus.

April 8, 2013
96 pages, 6 x 9
978-0-8071-5022-1
Paper $16.95


02
Apr 13

River Road Rambler: A Curious Traveler along Louisiana’s Historic Byway

“Sternberg guides us to that rare intersection of lively writing and intellectual curiosity in her book about Louisiana’s famous River Road. Many travel it; few see it this well. From a Convent grotto made of bagasse, the charred remains of sugarcane, to a museum that explains what life was like at Carville’s home for those once called lepers, the author finds new information along this old, romantic road.”—Rheta Grimsley Johnson, author of Poor Man’s Provence and Hank Hung the Moon

The River Road between New Orleans and Baton Rouge hosts a fascinating mix of people, traditions, and stories. Author Mary Ann Sternberg has spent over two decades exploring this historic corridor, uncovering its intriguing and often-underappreciated places. In River Road Rambler, she presents fifteen sketches about sites along this scenic route. From familiar stops, such as the National Hansen’s Disease Center Museum at Carville and the perique tobacco area of St. James Parish to lesser-known attractions such as Our Lady of Lourdes grotto in the town of Convent and the Colonial Sugars Historic District, Sternberg provides a new perspective on some of the region’s most colorful places.

These sketches brim with insights and observations about everything from the fire that razed The Cottage plantation to the failed attempts to salvage the reproduction of the seventeenth-century French warship Le Pelican from the bottom of the Mississippi. River Road Rambler links us to both past and present while revealing delightful and unexpected surprises only found along this storied byway.

Mary Ann Sternberg is the author of Along the River Road: Past and Present on Louisiana’s Historic Byway, now available in a new and updated edition, and Winding through Time: The Forgotten History and Present-Day Peril of Bayou Manchac.

April 15, 2013
152 pages
5 1/2 x 8
15 b&w illustrations, 1 map
978-0-8071-5078-8
Cloth $24.95, ebook available


01
Apr 13

Daniel Hoffman (1923-2013)

HoffmanDanielAP

With deep sadness, we must report the passing of Daniel Hoffman, an LSU Press author who was also one of America’s foremost men of letters.

Primarily a poet, Dan published fourteen books of poetry, six of them with LSU Press, including Next to Last Words, which has just appeared this spring. His early book-length poem Brotherly Love became a finalist for the National Book Award, and in 1973-74 he served as Consultant in Poetry of the Library of Congress, the appointment now called Poet Laureate of the United States.

Dan also wrote other kinds of books. In 1989 we published his critical work Faulkner’s Country Matters: Folklore and Fable in Yoknapatawpha. An earlier book of criticism was Poe Poe Poe Poe Poe Poe Poe, also a finalist for the National Book Award, reprinted by LSU Press in 1998. We are also proud to have published his unusual and elegant World War II memoir, Zone of the Interior.

From the time of his first LSU Press book in 1988, Hang-Gliding from Helicon: New and Selected Poems, Dan served as a prolific author and valued advisor to us. We are very proud of and grateful for our friendship with him, and we will certainly miss him.

Well, Wendell looks at the form.
He reads it real close, and then
he tells Jeanette to never mind,
let’s take us one last drive before we turn it in.

That night I never seen them coming round this curve,
I heard the orange rocketship blast off
already past me half a mile down the road
doing 90!

From “Shocks”
In The Whole Nine Yards: Longer Poems (2009)

Per Conta recently published a Festschrift for Daniel G. Hoffman in Celebration of His 90th Birthday


26
Mar 13

Whitey and Sly

The Press cats, Whitey and Sly, who have lived under our building for years, pose for their Easter picture following lunch one day last week.


22
Mar 13

Guest blogger: Alex Cook on the Tennessee Williams Literature Festival

header-color-20131There is no greater thrill for a writer than a packed room at your panel reading at a literature festival, and I had that thrill once. Just once. Granted, this was the Tennessee Williams Literature Festival in New Orleans and the panel was on Louisiana music, and nobody is more interested in Louisiana music than Louisiana people. That interest only intensifies when it is New Orleanians being interested in New Orleans music. I suspect if one targeted just the right street corner in Treme, you could get the interest of your audience level to approach the infinite.

My book Louisiana Saturday Night: Looking for a Good Time in South Louisiana’s Juke Joints, Honky-Tonks and Dance Halls was not as New Orleans-focused as the work of the other panelists, which put me in a nice position. It was like being a special guest on the bandstand, offering something a little different from the usual proceedings.

That is what being an author is, I think. People assume you write books about things because you are experts, but it’s actually the reverse. The deep mining and the wayward traveling one must do to satisfy a book’s page count and an editor’s obsession with quality brings about a modicum of expertise (if you do it right.)

It is such a weird thing to consciously try to become an expert in anything, perhaps one of humanity’s most egregious acts of hubris, but here all we panelists were, experts in our corner of things: John Swenson had his interviews with post- and intra-Katrina musicians in his New Atlantis, as did Keith Spera in his Groove Interrupted; Alison Fensterstock explored the gyrations of new Orleans hip-hop in The Definition of Bounce; and me.

We had our quips at the ready. It’s a little like playing a solo. I have a good one about zydeco where I count on my fingers all the improbable things about black men, dressed as cowboys, playing R&B, in French, on accordions, in the middle of nowhere, in the dark—and the audience seemed appreciably appreciative. It might be the one arena where a music writer gets to feel what a musician feels, not to be alone for once in pursuing this curious art of writing about other art. To have strangers dig what you do.

We did get one question about whether we felt bad exploiting musicians for our writing and not giving them back all this money we make off of them. The response was a collective silence from the panelists that radiated, “What money?” But it’s a fair question, mostly because all questions are fair. Books are written by asking questions and hoping that you answer some question even if it wasn’t the one you started with.

Everyone on that panel said they wanted to include a CD with his or her book and the licensing restrictions made it prohibitive, but the unspoken answer was, perhaps, that we are not in promotions; we are not in sales, specifically, though I suppose we all do our share of both. We are all trying to chase down some wriggly, elusive truth in this thing we think we know everything about. And the only place you really get that affirmation, that sense that there is a synergy between disparate people engaged in the lonely pursuit of writing, is at a festival like Tennessee Williams. I like to think I know a little about rock stars, and I think this is a little what it’s like.


19
Mar 13

The American Animals of World War II Celebrated and Remembered in More Than 150 Photographs

“In the frightening and uncharted world of war, servicemen and women could count on the transport given by horses and mules, the protection offered by dogs, the communication delivered by pigeons, and the solace provided by mascots and pets.”—from Loyal Forces

At a time when every American was called upon to contribute to the war effort—whether by enlisting, buying bonds, or collecting scrap metal—the use of American animals during World War II further demonstrates the resourcefulness of the U.S. military and the many sacrifices that led to the Allies’ victory. Through 157 photographs from the National World War II Museum collection, Loyal Forces captures the heroism, hard work, and innate skills of innumerable animals that aided the military as they fought to protect, transport, communicate, and sustain morale.

From the last mounted cavalry charge of the U.S. Army to the 36,000 homing pigeons deployed overseas, service animals made a significant impact on military operations during World War II. Authors Toni M. Kiser and Lindsey F. Barnes deftly illustrate that every branch of the armed forces and every theater of the war utilized the instincts and dexterity of these dependable creatures, who, though not always in the direct line of enemy fire, had their lives put at risk for the jobs they performed.

Lindsey F. Barnes, senior archivist and digital projects manager at the National WWII Museum, earned her master’s in library and information science from Louisiana State University.

Toni M. Kiser, assistant director of collections and exhibits and registrar at the National WWII Museum, earned her master’s in museum studies at the George Washington University.

March 18, 2013
152 pages, 8 x 10, 28 color photos, 129 halftones, 2 maps
978-0-8071-4996-6
Cloth $35.00